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supported by 53 fans who also own “Dead 2 Me”
Black is beautiful. Inside outside. This band is superb. As a huge Sabbath fan I love the low tuned riffs, as well as the hardcore speed moments, short as they are: but it's exactly that which keeps it so damn interesting. Also love the interplays full of sweetness or speeches about black culture and being black within white domination. Still some things to learn. This is the real life in music form. Let's celebrate.
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supported by 52 fans who also own “Dead 2 Me”
Wonderful dramatic opening, the voice of a black woman in all her honesty, vulnerability and openess. And then one of the fiercest tracks of Zulu, total hardcore: 'Now they are through with me', full of twists and turns, and suddenly ending in a kind of soul-track, brilliant! This is 21st century music at it's best. The end lecture is dramatic and disturbing, spoken again by a black woman. Makes you think.
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Chicago indie rockers Nonagon evoke the glory days of ’90s basement shows, sandwiching catchy hooks between swathes of speaker-busting fuzz.
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Harsh Reality
by Stress Positions
Chicagoans craft indomitable hardcore for uncertain times, full of mangled riffs, and larynx-shredding hooks—plus a touch of post-punk.
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Killed By Mock Execution
by Mock Execution
The Chicago punks seem intent on defying any hardcore conventions, focusing instead on communicating pure disgust for the rotting world around them.
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